Casa de Papel – Jessie Kanji MFA Print 27′

June 24. From the Hills of Chiapas.. Taller Leñateros

I have now spent a month at Taller Leñateros. As the rainy season has settled over San Cristóbal, our days are punctuated by cups of hot tea, animal cookies, and the steady rhythm of work in the workshop. During this time I have become especially close with my colleagues, Luciana and María. Together, Luciana and I have begun filming a documentary that explores the history, people, and making processes of Taller Leñateros, documenting the knowledge and expertise embedded in every stage of production.

Living and working here has given me a deeper understanding of the complex economy in which traditional craft exists in Mexico, and of the important place handmade practices continue to hold within the community. It has been fascinating to learn about weaving as a form of script. Tzotzil women are able to read the patterns woven into textiles, with each motif carrying stories, meanings, and cultural knowledge that have been passed down through generations.

Over the past month I have also come to better understand some of the financial challenges facing the organisation. Following the passing of its former director, Javier, in March this year, Taller Leñateros has entered a period of transition. Although the workshop continues to produce its distinctive handmade papers, sculptural journals, and libros objeto (artist books), sustaining the cooperative remains difficult. Many of these works find buyers in northern Mexico or in regions with stronger tourism, making income both seasonal and unpredictable.

These conversations have encouraged me to think about how my own skills might contribute beyond my research. Together, Luciana and I have been discussing the possibility of developing an artist residency programme at Taller Leñateros. The idea is to invite artists to learn directly from the collective’s papermaking and bookmaking traditions while creating a new and sustainable source of income for the workshop. Luciana is excited about the proposal, and I have begun drafting promotional materials and programme documentation that can be shared with the members of the collective as the first step towards bringing the residency to life.

Working at Taller Leñateros has become much more than an opportunity to learn about handmade paper. It has offered a glimpse into the resilience of a community committed to preserving cultural knowledge while adapting to contemporary challenges. I feel incredibly fortunate to contribute, even in small ways, to a place where making, storytelling, and community are so deeply intertwined.