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Posts tagged ‘Follow the Fellows’

29
Aug

Entangled Value | Dark Matter Labs | Zoe Lee ID 2024

Helloo again! Headings all over this post b/c lots happening! I am learning a ton! And have had little time to process. SO here are some updates 💌

Overview:

I have been working on a video about a core concept that appears in Dark Matter’s work. “Entangled Value” is about the interconnectedness of the world, and the importance relational context plays when assessing value of… well… anything. In a more tangible sense, an example that we were looking at early on was “guns and addictive medications have a price, yet care work in the home and breathable air does not” [from Script Draft 01].

Brief Overview on Entangled Value:

How we assign value is malleable and can change. And it has historically! We have always been able to assign a price to new (stuff or) technology that we deem valuable. We’ve witnessed value change from exclusively physical assets (like factories, housing, transports, etc.) to multi-capital assets (like intellectual property, information, and natural capital like urban green spaces).

Despite this shift, we still rarely see value placed on trickle down, systemic effects. For example, we treat planting trees as a cosmetic expense for cities. But their actual, entangled value results in many positive spillover effects like uplifting real estate prices in surrounding streets, increasing foot traffic to local businesses as people visit the park, and capturing carbon and creates urban shade over the longer term (Trees as AI).

Some resources we were looking at were YoYo Ma’s video on cultural ties, also Kayla’s thesis (that I got to watch during NCSS Commencement this past spring!).

Progress & Process:

This process has been incredibly challenging and rewarding. The video is intended to provoke a feeling about these concepts, rather than more academic writing about the concept. But, visualizing these ideas is quite difficult.

Here are some iterations that didn’t make the final cut.

[Trying to visualize systems relating to the subject in frame]

Once I started combining animation w/ live action footage, I started to get somewhere better. This was the first frame that started working. After showing this cut to the team, it was super exciting watching them get excited about the video.

Other updates:

I hit the ✨archives✨ at the Brand Museum in London. It has been immensely helpful to see so much design history up close and personal while working on this project. In ID, we didn’t get much formal training on principles of graphic design, so getting crash coursed while here has been great. Everyday I feel like design newbie. It’s kinda nice & freeing – there’s so much to learn!

I’ll spare you scrolling through 100 photos of old stuff. Here are a few of my favorites!

OK! See ya later. Thanks 4 reading my thoughts!

26
Aug

Nature Walk Workshop–Yiming Lei, MLA24

Starting in July, I have been working with Bazi Garden to conduct a series of nature walk workshops with local communities and scholars; here is the most recent one:

We went to a mountain in Mengzi, Yunan, which is located in Southwest China. During the whole journey, we walked from the local agricultural land into the semi-ancient forest to learn about the transition of the local ecologies, as well as the impact of agriculture on the original landscape.

Throughout the whole journey, we have also been collecting plants for future herbarium makings; here are some images of the local plants and creatures:

Nature walk workshops have been a huge part of the RISD Landscape department, especially during our plant and ecology class, and after graduation, I started to understand the value of this process more and more: on the one hand, nature walk workshop is one of the few media that can seamlessly combine all of our senses to learn about local ecology, one the other hand, the whole process can help the participates to memorize and personalize the knowledge that’s learned in a unforced way.

7
Aug

Touching Down in London | Dark Matter Labs – Zoe Lee BFA ID 2024

Hello!!! I am officially across the pond. This is my first (very late) transmission – things have been a bit crazy and exciting!

My goals are to a) develop a method for strategic communications for systems change work b) make work that helps explain [strategic & systems] design’s impact and c) explore what [strategic & systems] design is in the UK and d) stabilize how I view, work in, & think through [strategic & systems] design and share with others!

Dark Matter works across themes of systems change, city transformation, regenerative economics, and governance, and more. Founded by architect Indy Johar, Dm is an mix of economists, policy experts, urban development experts, and more!

Dark Matter is self described as “working on what is needed to manifest transformations to our food, housing, land, material and nature systems towards a future of mutual thriving. In doing this, we analyse the shifts it requires in the underlying ‘dark matter’ – monetary, economic, governance, regulatory and policy systems – to make this possible, and we work with partners to demonstrate these alternatives in neighbourhoods, cities and bioregions. We share these insights openly for mutual learning“.

This can be really hard to explain. I’m not sure that I completely understand the full complexity of what Dm does yet (they do a lot), but I am having fun making work here.

While here, I’ve been developing a video on “Entangled Values” – a core concept that underpins much of their work. It has been quite the (fun!) challenge of visualizing something that is so abstract and also tangible. I’ve been working across live action and animation and have been really enjoying the process.

(a loose still from the video and part of the process)

The world of design in London feels different than in the States. I feel like there is much more of a clear academic backbone than in the states (or maybe from what I’m familiar with from Industrial Design?). I’ve never seen so many bodies of writing from designers and have been reading everything that I can. At RISD, the only space I ever encountered systems design was at the Center for Complexity (which I had the privilege of working at during my senior year!). Here, it seems like everyone is thinking and working in systems (change?).

(this is a book I am currently obsessing over)

(this is another book I am currently obsessing over)

I attended a lecture from Benjamin Bratton’s research group Antikythera.

(📍 Central Saint Martins, Kings Cross)

Being here in the first few weeks has been really eye opening. During my time at RISD [or general career up until now], I tried a lot of stuff. I’ve worked at multiple academic labs (MIT Media Lab & the Morphing Matter Lab), founded a blue-tech research group thing (SCUP Aquaculture), worked with multiple strategic design studios (Altimeter & the Center for Complexity), freelanced for climate science groups (NOAA & the Commercial Fisheries Research Foundation) and more. I’ve spent my time in college in a continuous search to see where designers can be impactful outside of design (in the most traditional sense).

The funny thing about working all these odd jobs is that I never really knew what I was doing. I kept signing onto the next opportunity hoping to learn something new and hoping to find it (if you know what I mean?). Being at Dark Matter, and in London, this summer is offering some clarity. Seeing this world up close has been invaluable.

OK! More later but I g2g. Bye!

22
Jul

Seeing the ‘Change’ | Upasana Pandey | Masters of Industrial Design 2025

Hello all, as I finally begin writing, it feels like a lot has been done in these 2 months already! Though I am originally from India, I had never been to Bengaluru before. I flew in 2 days before the start of my internship and I am staying with a friend – funnily an hour away from my office. Its been a new experience with new food, new language and new geographies.

I am doing my fellowship with Let’s Be The Change, an organization in Bengaluru India, which deals with Solid Waste Management. This blog covers my exploration of the office and the work they have been doing in the first 2.5 weeks.

My first day at work was at Intel!

Let’s Be The Change (LBTC) collaborated with Intel to organize a cloth repurpose drive at Intel campus on World Environment Day (June 5th). The goal of this initiative was to foster a sense of responsibility among Intel employees regarding the pressing issue of textile waste, encouraging them to embrace a low-waste lifestyle and sustainable fashion practices.

The drive was organized across three rooms at Intel: a donation room where clothes were collected, a room for making coasters, and another for sewing tote bags from old T-shirts. All rooms were led by women tailors from low-income communities to teach these skills to Intel employees.

15 Intel employees participated in the event, donating their old or damaged clothing items that they no longer needed. Volunteers learned to repurpose their garments creatively, crafting various types of bags suited to their personal needs. The drive resulted in the collection of over 12 kgs of textile waste.

Additionally, we set up an educational stall where I spoke with Intel employees and volunteers about the detrimental impact of fast fashion on our environment.


Operation Repurpose at Banashankari

Over the weekend, LBTC conducted Operation Repurpose for the residents of Banashankari 2nd stage.

Residents were informed prior via WhatsApp about the event so they gathered to drop off their collected waste. In exchange, they could choose a few of sustainable items as a reward for their effort.

The collected waste was then given to the local raddiwala/dry waste collectors (15kgs) and nearly 118kgs of dry and recyclable waste was given to Ecocrew (a dry waste collection startup) for further processing and recycling.

It was beautiful to see how the neighborhood gathered to dispose the waste effectively, as well as the volunteers who showed up to help carry the event. The event aimed to encourage community participation in recycling efforts while promoting environmentally friendly shopping choices.

It is particularly to be noted that Banashankari is a high-income neighborhood and seeing the rich take actions of their waste was much appreciated by all. At the same time, a smaller slum in another neighborhood adopted by LBTC called as Mestripalya/Bisleri Slum was more successful at segregating waste effectively for 1.5 years consecutively.


Appreciations and Goodbyes at the Bisleri Slum, Koramangala

Bisleri Slum, a LBTC adopted low-income community under BOSCH CSR has been regularly segregating their waste in 2 bins – 1 bags; wet, dry and hazardous waste. Each day, the waste picker gives them scores on their segregations. This segregation has been surveyed since 1.5 years.

Later that week, the community women of Bisleri Slum were rewarded with goodies to acknowledge their commitment and encourage them to sustain their efforts. The women were very happy to receive plates. They also mentioned that due to proper segregation, the waste dumps in the neighborhood has been reduced thus reducing the mosquitoes in the area.

It was a humbling experience to visit the slum and see how everyone managed and took responsibility of their waste. This event was a farewell event as LBTC was not needed anymore as the slum was self-sufficient in managing their waste. What a beautiful change!


Visit to Kalika Kendra, HSR

Finally, to end the exploration phase of the organization, I was suggested to visit Kalika Kendra, a park that has been made to teach sustainability, waste management and using eco-friendly practices.

One of my project (will cover this in upcoming blog) is to make Knowledge Hub at the LBTC office, so this was a visit to see existing places to take inspirations.

The arc was made from paint buckets collected from nearby construction site.
28
Jul

Camp’s Out!, Graciela Batista, 2024, BFA Illustration

First day of camp!

I know I promised a post after the first week but here I am, a week late, hat in hand, and asking you to hear me out. A week of ice-breakers, introductions, guided practices, main writing lessons and high energy socializing really knocks it out of you. The weekend between the two weeks of camp consisted of a lot of sleeping and re-energizing in nature, meaning my update now will be a full camp overview! Phew it’s over!

We started strong Monday, June 10th. I was proud to Co-Lead the class with my manager, Pedro Estrada, swapping over sections of the lesson plan as we planned every morning an hour before the kids started knocking at our door. The first day, I felt happy to take a page from my past experience with CityArts, by asking the students to help build the community agreements as an introduction to the space. Loudly and enthusiastically I asked them if they knew what the number #1 rule at 826LA was. “Respect!” beamed through the room. I was actually quite surprised until I realized it was because there was a poster behind me revealing the answering. I asked them what makes them feel respected; listening to each other and keeping hands you themselves were popular suggestions. With help from the volunteers I told them to wrote their answers down on a sticky note and come up to the board to stick it on. Quietly they began, taking their pencils, peeling sticky notes from the stack and telling the volunteers at their tables they didn’t know what to write. Conversations unfolded between students admitting what respect looks like for them and volunteers adamantly listening while further prompting them to consider how other’s actions make them feel. Moments like these, hushed conversations led by a prompt projected onto the screen asking students to dig within and find a feeling were incredible. I would find myself asking if I did that sort of self reflecting and self questioning at their age, and what a sense of individuality it could grow to start doing so, so early.

Student placing post-stick on board

It occurred also on day 4, I think, all the days are a big jumble in my head. The lesson plan was album cover creation, a day that truly homogenously mixed the musical, visual and literary arts. The students were tasked taking inspiration from a previous lesson plan that questioned moments in their life they felt a strong emotion, choosing a song that could represent it, and explaining it in a paragraph. For the current day’s lesson we asked them to gather their songs and compile them into an album. They tackled questions like what was the overarching feeling their songs or experiences exuded? Was there a narrative present throughout the songs? And how could these sentiments best be represented in the cover art or the back matter describing the “album” as a whole? If the presence of glitter markers wasn’t exciting enough, they also had the opportunity of having their picture taken with a Polaroid to paste onto the cover in order to further personalize the final product. Students were so proud of their creation, we hit our record in most participants during share outs (a daily part of the lesson plan where students can share anything they made during that day). They shared albums inspired by their experiences with friendship, pets, memorable vacations and special days at school. Also to my surprise, most of them were begging to keep working on it the next day!

Summer camp was a blast, the growing comfort the students felt sharing about themselves with me by the last few days was nothing short of incredibly rewarding. My only gripe was that it wasn’t longer, as a two week program is a challenge to any educator getting to know their students. Now, I only have a week left of tying loose ends! Will report back soon 🙂

21
Jul

Research, Research, & More Research – Henry Ding, BArch 2026

So it’s been around 3 weeks into my time as a Maharam Fellow at The ArQuives in Toronto. It’s been one of the most reflective, enriching, and unexpected experiences I’ve had yet as a student at RISD. While it was initially quite nerve-wracking, I found myself entering a space of extremely passionately queer, intelligent, and kind experts in their fields! It is no wonder that my brain has grown quite a lot since being here.

The Arquives location in Downtown Toronto!

Some fun acts about The ArQuives:

  • With over 100,000 items in its collection, The ArQuives is the largest independent LGBTQS+ Archives in the world and the only one of its kind in Canada!
  • I’ve also been told it has one of the largest porn collections in the country, if not the world, as well.
  • We do our work in a historic building that dates back to 1860! One small historic house surrounded by the skyscrapers of one of Toronto’s busiest shopping and business districts! (Think the house from the movie Up!)
  • Did you know archives actually write about space three-dimensionally? A storage room isn’t 150 square ft, it’s actually 1500 cubic square ft! Even records as small as magazines are catalogued by thickness as well as diameter. How are you gonna know how many records you can store when you only think two-dimensionally?

These facts may or may not help illustrate what my experience has been as of late—combing through thousands of records in this little treasure trove of history in the heart of Toronto. Man have I done a lot of combing. My projects and initiatives are all based around discovering what home and domesticity was like for Toronto’s historic queer community. What does that look like aesthetically, infra-structurally, and politically? How can I visualize this history and make it more accessible to the public? I’m especially becoming interested in queer POC communities!

Everyday at work is a little different. I may be reading through The ArQuives’ extensive books collection, looking through old artifacts (newspapers, census records, etc…), digitizing photographic records, or watching videos made by prominent queer filmmakers in Toronto. Along the way I’m taught archival vocabulary (which is kind of a lot), tour offsite storage facilities, and learn about Toronto’s queer community from my colleagues. It’s been a lot of reading, writing, and learning.

That’s about it for now but stay tuned for a couple interviews, research trips, and new findings I’ve set up that I’m very excited for!

What I probably look like signing off on this blog at my makeshift records desk.
11
Jul

Belated: The Adventure Begins!, Graciela Batista, 2024, BFA Illustration

I say “Belated: The Adventure Begins!” because this past month has been but the precursor to this summer’s main spectacular: 826LA’s Write On! Summer Camp and today, it started. I’ve chosen to hoard my blog posts until now because I suspect quite a lot of stories from the next two weeks and I only wish to give you the most thorough look into what me and my colleagues have been working hard to prepare for. However, before I get to the first day anecdotes, let me tell you a bit about my time up till now.

Me upon arrival (only one of those suitcases and duffel bags are mine, I promise there was no overpacking)

I arrived on June 5th, absolutely thrilled, only to be welcomed to the city of angles by an awful case of June Gloom (a Californian term I learned quite quickly, that describes cloudy, overcast skies with cool temperatures during early summer.) It was like that for two, never-ending weeks and it made sitting-at-the-computer office work a little more difficult than it had to be. I will admit, the traditional desk work that has taken up the majority of the past month was tedious but mostly because the first day on the job was so overwhelming with joy; it made the lack of people actively shuffling through the space incredibly palpable.

The first day I came into work was, coincidentally, the last day 826LA was hosting a field trip for the academic year. At 10am, a swarm of 40 1st-graders gathered into the back patio and I had no idea what was going on. Mari, the leader for the field trip, saw me lingering around task-less and recruited me to help. She described her role as “a three hour long, one woman show” and that it was. In the span of 10am – 1pm, the students wrote the characters, plot and conflict for an original story as a group, had it illustrated, typed up, printed and bound, complete with an author picture for each booklet. The whole procedure run like a well oiled machine, ending with priceless smiles from the children when they realized they would have their own book to take back home and personal feedback from the teachers concerning their individual contributions. Three of them even ran up to hug me at the end! It was a day I will never forget because I realized how much an experience like it can impact a student and how well run a place has to be, to deliver that kind of change.

The days and weeks after were significantly less underwhelming, but I’d like to think equally as important. I’ve spent most of my time developing lesson plans with the team, creating slideshows, calling families, and ordering 400 individual snacks all in preparation for camp. My original ideas considering visual art informing the creative writing process were somewhat dialed down in the process upon realizing the already decided upon theme for this year’s summer programming was music. It seemed to me that visual art, writing and music were going to be a lot to mush together in a two week endeavor, so I took a more subtle route in my lesson plan writing including poetry writing inspired by music videos and learning ode writing by studying it’s muse hands-on. We got actual tomatoes and socks for the kids to hold as they listen to Pablo Neruda’s odes — I’m psyched for that day.

Me, calling families to confirm their child’s assistance

Anyways, that’s mostly been it — clicking and clacking away on administrative duties. I’ve realized the behind the scenes requires more than I ever thought. I know I promised a run down on the first day of summer camp, but I feel it only makes sense in a second blog post recounting all there was to this first week, plus then I’ll leave you wanting more. That was my first month in LA, and now the adventure will begin, wish me luck.

18
Sep

Finding the synergy of architecture, sustainability, and urban development in Ethiopia, Ruth Wondimu, MArch 2023

Hi everyone! With time flying by so fast, there has been so much for me to share. 

The final few weeks of the fellowship were the most productive, insightful, and joyful parts of the fellowship. The fellowship finalized in the panel that became the ideal synergy of my architectural education, interest in sustainability, and urban development topics in Ethiopia. 

Working towards finalizing the panel involved multiple coordination, cooperation, and outreach with various unexpected challenges. To explain this further, I will divide this journal into three parts. The first part is what I would consider the planning phase. The second one involved various outreach activities and the third one involved the execution of the tasks.

In the first phase, my team and I had struggled securing partnerships in methods we had assumed would be successful. We had been dependent on using emails, phone calls, and social media channels to reach out to multiple groups we wanted to partner with. However, our concerns with the timeline led us to taking a more assertive approach. We started heading into various offices without an appointment. Although we were weary of the consequences, we were surprised to see a different professional culture where people preferred to have the conversations in person. Since then our trajectory towards conducting the panel became exponential. 

We were first able to find the ideal space and partnership for the event at a multidisciplinary organization called The Urban Center. Although the space came with the organization that would provide us  the community outreach we needed, it also came at a cost. Therefore our next step was to find sponsorship. The need for sponsorship led us to find more of our ideal company, Kefita Building at Rock Stone development, whose members became our partner, sponsor, and panel member. With our panelists in order and space secured, we were ready for the next phase of our project.

The second phase of our project involved multiple content creation and outreach. Although sustainability and green architecture are terms that are used often, there is a certain level of vagueness in their meanings. Therefore, to set the tone for the conversation, we decided to create and share the following content that provides the definitions and examples we were thinking about. I also further used these same slides for a presentation that preceded the conversation at the panel. 

While sharing the above content, it was also very important to cater to each panelist’s expertise when devising the questions. Therefore, much of our time was also taken up with developing the following document that contains the questions and related contents of the panel. This document allowed us to stay on top of our topic and to have a very successful engagement with the audience. 

In the final stage, which is about the last week and half of the panel we focused on outreach and finalization of the content. In this process it was very interesting to see how different skill sets come into play. For instance, although my architectural education had allowed me to learn some of the software that graphic designers would use, I was struggling with the layout and intricacy of the poster. Then, one of the members of green Ethiopia, Dawit Yitref, was able to take the concept notes and turn it into a professional poster that had surpassed what we had imagined. The poster, attached below, was then distributed through various social media channels allowing us to register 91 people ahead of time. 

The day of the panel unfortunately started with two disappointing news. The first one was when one of our panelists informed us that they will not be able to attend due to unforeseen circumstances. The second one was when the national TV channel informed us that they have overbooked events for the day and that they might not be able to cover the event for us. Throughout the day we worked tirelessly calling every media channel, camera crew, and host we could find to no luck. Finally, a close friend of one of our members, Sintayehu Teferi, was able to capture all the important moments. 

As soon as the time for the panel got close, people in large numbers started coming into the space. We had our panelists, our photographer, and our attendees ready. This was an exciting moment for me personally because I could see my parents and friends in the audience. I could see the people I look up to on the stage with me conversing on issues that I am extremely passionate about. The concepts of locality, context, equity, and more were always a part of each question we raised. The answers that came from the panelists were some of the most insightful and diverse set of knowledge I had acquired. 

Based on the document mentioned above, the questions were divided into topics of Energy, water, material, equity, measurement. Through each of the topics our panelists Adiamseged Eyassu, Elias Ayalew, Yasmin Abdu, and Fitsum Gelaye shared their expertise. 

Adiamseged Eyassu, project director of Rockstone Ethiopia Real Estate, shared his experience in developing a green high end residential building in Ethiopia. He was able to explain the systems, technologies, and methods Kefita utilized in order to be able to design and build a green building. He also went further into the possibilities the future can hold in looking into affordability and accessibility in the industry of green building. As someone that was working on a building that was in the process of a green building certification, his insights were inspirational for the professional community  in the audience.

Architect and lecturer, Elias Ayalew, was one of the panelists who gave the most contextual examples in the methods local architects and construction professionals utilize to produce green buildings today. He was able to share his expert knowledge on the challenges and opportunities the industry faces in making green buildings. His examples ranged from high risers in the middle of the city to small huts in some of the most climatically difficult areas in Ethiopia. He was also able to define what green building means to him and how having an in-depth understanding of context is important in approaching these issues. 

Fitsum Gelaye, who works as Programs and Engagement Consultant at Resilient Cities Network, had many insightful examples and knowledge to share especially at the urban scale. Her insights ranged from challenges Addis Ababa has with informality and lack of basic resources to the challenges other african cities are facing. As someone that had worked with water for most of her career, she further emphasized her points related to water conservation, mitigation, recycle, and the heavy intersection between the architectural and urban scale. During our equity portion, her quote that is read as the following, became one of the highlights of the evening. 

“A city is as resilient as its most vulnerable community”

Yasmin Abdu, who is a researcher and architect, was also one of our insightful panelists who was able to share her knowledge on advocacy and community engagement. Her points mainly spanned the relationship between every topic and its implementability on a community level. Her examples were on research conducted on the effects of sustainability related topics that impact the community at large. She further demonstrated her ideas through government led projects as well smaller initiatives that integrate community advocacy with sustainability. Finally, she emphasized that the desire to integrate community engagement in making decisions should be amongst the main discussion points on any project that comes forward. 

The panel was then followed by a question and answer that was just as fruitful and engaging. The panel that we had intended to be a total of two hours took a total time of two hours and forty five minutes. Nonetheless, most of our audience was still there supporting us, engaging with our topic, and continuing to converse at the networking session. 

As I got on the plane back to RISD for my final year as a grad student, I realized that this experience is one that I will cherish for a very long time. It is an experience I learned so much from, an experience I developed connections I wouldn’t have been able to otherwise, and an experience that stationed itself  in the place I will always call home. For that, I am very thankful for RISD and the Maharam Fellowship.

1
Aug

Navigating urban narratives and green alternatives #2, Ruth Wondimu, MARCH, 2023

Navigating urban narratives and green alternatives #2, Ruth Wondimu, MARCH, 2023

This past month in Ethiopia has been a time of reflection, learning, and asking many questions for me. My conversations with many architects, family members, and the community have often been my method for getting to know my home again. Although I was hoping that everything I continue to learn about would be something positive, I have been able to learn about the difficulties people live through on a daily basis. For some time, I had found the outreach work challenging because it had been difficult to securely book some time to talk to the organizations that I had believed were highly relevant. However, my work gained a positive trajectory when I was able to attend the annual conference for the Ethiopian Architecture Association on July 23, 2022.

The Ethiopian Architecture Association hosts a panel discussion and an election ceremony annually. However, this panel was happening after three years of discontinuation due to impacts of war and Covid. Therefore, this panel was also a time of reflection for the community. The panel started with a moment of silence and prayer for the victims of war that’s still happening across Ethiopia. From the way everyone immediately stood up, it was easy to see that there was this moment of collective grievance and pain. That became one of the points of conversation for the conference. 

This conference was a very eye-opening experience for me because I went in with the hope of making connections and sharing ideas on sustainability topics. However, that was only a small portion of what I was able to attain and learn from. The first topic of the conference was post war construction. In the hope and belief that one day, this war will come to an end, the discussion was on how architecture can play a role in reconstructing and building new health care facilities, schools, residential places and more. For me, it was a reminder that it is a time of grievance as a country and that people were actively looking for ways to contribute to the better future.

Although there were a variety of topics that were mentioned such as architecture’s role at a time of covid and what the association has done, a project that caught my attention more deeply was called The Ethiopian New School Project. It is a project on developing design prototypes for over 1200 new public schools based on the latest technological advances and environmental considerations. Therefore, the designs were a variety of prototypes developed based on their climatic and locational conditions with heavy considerations of water systems, energy access, and comfort. I was immediately excited to figure out who was responsible for the environmental consulting aspect of it. I was later informed that there aren’t many groups responsibly dedicated to the environmental aspect of the project.  However, I was able to obtain the contact information of the few groups that could be of significant value in discussing environmentally conscious projects.

Ethiopian New Schools Proposal

Following the conference, I have been able to connect with two groups that have been pioneering discussions surrounding architecture and urban development. One of them is Architecture Werhawi (Architecture Monthly) and the other one is The Urban Center. The two groups also often collaborate on a variety of projects. I was able to send my proposal where teams from each group will be able to review my proposal and hopefully collaborate. 

On a personal reflection, I believe that this experience has taught me that circumstances on ground have been and continue to be difficult for people. The consequences of war impacts people on the daily through personal stories, inflation, and unattainable living expenses. The unemployment rate and low wages have been discouraging for many recent graduates. That, however, makes me believe that there is a role for the green industry to play here. The fact that a new type of industry might create new employment opportunities, encourage utilization of local resources on a more industrial level, and make water and electricity more easily and widely accessible is a good enough reason to discuss this topic. Therefore, this experience has empowered me to facilitate this conversation further.

28
Jul

Witness history in your footsteps- Pei-Yu, 2024, ID

For the past two weeks, alongside continuing to make the website and mapping the historical event, I have been interviewing people who have previously worked with the organization with walking tours about the massacre. Due to geographical constraints and timing, some were online, and some were in-person. 

The purpose behind these interviews was to gain an insight into how these researchers and tour guides organize and develop the route. In addition, I want to hear their thoughts on this issue. They are the medium for us to look into the past. 

I was fortunate to participate in the walking tours for some of the lecturers I’m interviewing. Learning history by foot was a different experience than in the books. This experience inspired me to create this project where I interviewed these tour guides. At first, they were hesitant about why I would be interested in their story. They have always been the ones telling others people’s stories. I explained that I feel the stories being passed down might encounter alteration due to the people telling the story. I want to know their thoughts and why they are passionate about the issue. Their story is very much part of the narrative of historical memorization than the stories of victims or their descendants.

We are all victims and witnesses of the ripples of histories trauma.

我們都是餘波盪漾的受害者,也是見證者。

葉芊均 ( 2019, 2020 Event coordinator of Kiong-Sheng Music Festival, and tour guide of Tuā-tiū-tiânn)

Walking tours, I believe, are very much a process of mapping. And active mapping where visitors and audience are forced to be in the landscape while imagining the past. While these routes are carefully designed considering time, geographical constraints, and storytelling, every tour is unique due to the people participating, the weather, and other unforeseeable circumstances. It is a device to the past through the people telling the story. It is also a pathway of the present. 



The main thing I have taken away from these interviews is that knowing the history of the massacre is only part of these walking tours. The core purpose is to learn the city’s history. In the process of knowing where you are from, telling the story of the massacre is inevitable. Due to the nature of this historical event, the accounts of the massacre are embedded in the bricks of architecture, roads, and waterways. 

For example, in one city, Tam Sui, the tour guide I interviewed, said that she didn’t care about this part of the history until her late 40s (she is now in her 60s). When she was little, she would hear from the elders that the Tam Sui River was once dyed red with blood. Ports were places one should not go, for many spirits resided there in the past. She didn’t believe what the elders said. “How is it possible that the whole river was dyed of blood? That is impossible!” It was not until she started reading more about the city’s history that she connected what her elders told her and what was documented. The port, they said, was a place where all those captured in the name of treason were excuted. Hundreds were killed, thrown into the river, reding the river with terror. 

Emotionally, it was hard to process all these stories. Older generations I’ve interviewed were much more emotional and passionate about the issue. They were closer to this part of history. All of them heard stories from elders, and the terror of knowing became a passion for sharing. When I asked why it is essential to learn about the massacre and continue advocating on this issue, they said it was for the truth to be seen. 

“When I was talking to the descendants of victims, they don’t want the compensation or reparation. They just want to know why. “Why was my father taken one night and never came back? “

In a text chain I had with the historian, he said,

“We must not give up the pursuit of the truth in history. The connection and emotions through the process are personal, humanitarian, and societal.” 

I responded’

“This is very true. Thank you so much for what you are doing. 228 is about the history of the land, but it is also the scar and pain of the land.” 

張文義 (Writer of Kavalan 228, oral history historian of Kavalan region, tour guide of 2022 Kavalan tour)

I am very grateful that I have this opportunity to keep their story alive. 

Younger generations, like me, had little understanding of this issue until we were much older (high school or university). Most of them are passionate about this issue not because of pain but because of the unjust. There is a diaspora of identity due to the change in education. We were not taught much about the massacre in our educational system, and most of us are fortunate not to be related directly to this massacre. 

When asked the same question, “Why is it important that we, the younger generation, remember and learn about this part of history?” 

Interview with 張尹嚴 (current master’s candidate of NTNU Taiwan History Department)

One answered, “It’s about justice. Why is it that the descendent of one of the generals in charge of the massacre in Kaoshiung was able to be a famous architect and have something out of him? At the same time, the descendants of the victims suffer mental disorders and societal trauma?” 

Another thinks that knowing the history of your city, country, and land is important because it ties to other social justice issues such as human rights, environmental, and other political issues. 

It was fascinating hearing from both sides of the generation. I started with this project wanting to know the thought process of organizing walking tours and the opinions of these historians and tour guides. I ended up with a more in-depth understanding of the gap between generations and the importance of this issue. For the older generations passionate about this issue, it is a matter of survival. Talking about this puts a light on this part of the history that is vanishing.

It is to keep this story alive, for these stories die with them.

On the other hand, for the younger generation, it is a choice. It is a choice of personal growth in learning about your history. It is recommended to choose to recognize the land and care about this humanitarian issue. 

“Ms. Hung, this is a very traumatizing story for me. If it were twenty years ago, I wouldn’t have accepted your interview request.” 

The elders often say,

“Whenever we speak of 228, the sky gets darker.” 

講到二二八,天就烏一半

For me, I’m touched by their love for the land. It was hard emotionally to hear such a traumatic story. Like a boulder in my heart, I often feel unbearable emotionally. Sadness is inevitable in this process.