Skip to content

Search results for 'samantha dempsey'

2
Dec

Radical Collaborations by Samantha Dempsey ’13, Mayo Clinic

The summer I spent as an experimental illustrator at the Mayo Clinic Center for Innovation followed none of the predictions I’d made about how a RISD student, science enthusiast, and a born-and-bred New Englander would spend her summer.  First of all, I never expected to spend so much time around so much corn.  Second, I never knew that the radical collaborations happening at the CFI could exist anywhere outside my daydreams.  The CFI is a multi-disciplinary team of designers and healthcare providers who collaborate and ask difficult questions to revolutionize healthcare.  For one summer, I had the opportunity to join this brilliant team and to revolutionize my own understanding of design.

First, let me explain how a RISD illustration senior found her way to the CFI.  I’d been exploring “health” in my work for a few years before I realized that I wanted to make art that did more than describe healthcare.  I wanted to make art that would change it.  Realizing this, I applied to and was awarded a Maharam STEAM fellowship.  The fellowship supports RISD students who propose a unique internship with a government agency or nonprofit organization to explore how art and design can affect change in policy and practice.

With the support of my fellowship, I arrived at the CFI and began my Minnesotan adventure.  I started collaborating with the Practice Redesign team where I created medical illustrations embedded in experimental surgical education videos.  I next worked with the Community Health Transformation team to develop a method of real-time doctor/patient conversation capture to facilitate shared understanding of primary care visits. In my third project, I developed a series of wordless comics illustrating patient stories that communicated an experimental Care Team approach. Next, I created an animation for the Center For Individualized Medicine that visually explained the complexity of exome sequencing while simultaneously keeping the big picture of the patient experience at the forefront of the conversation.

Image

All these collaborations radically altered my understanding of what it means to be a “designer”, but my final project allowed me to explore the unique value of an illustrator within a design community.  Working closely with Lorna Ross, the inspirational design manager of the CFI, I proposed, designed, and executed my own experiment.  My experiment was based on two assumptions: 1) patient stories have value and 2) to reveal that value we must collect those stories.

Image

I began interviewing patients and always started with the same question: “Tell me the story of your illness”.  This let me enter the conversation without an agenda, and allowed me to hear whatever story the patient wanted to tell.  This free exploration revealed things I would never have known to ask about.  Once patients understood that there was someone who wanted to listen, their lids popped off and the bottled up stories came pouring out.

I asked the patients to do a little more than just tell me their stories.  I asked them to think about their experiences in a new way.  Most people store their stories linearly and verbally.  I had to get them to think differently so we could avoid the same, old, pre-packaged story.  Telling narratives visually got them to revisit their old stories and make new connections.  Both the patient and myself learned something from this kind of retelling.

These new kinds of stories also allowed me to understand the context of their care.  Patients didn’t feel like they could only talk about their condition as it existed within the hospital.  They shared with me how their healthcare affected their home life and visa versa. By listening instead of leading, I could understand the role of healthcare within the bigger picture of their lives.

Image

My colleagues on the design team asked me to create kits that would allow other groups at Mayo to collect visual patient narratives.  The kits combine patient prompts like body maps, image dice, symbol cards and stickers with a how-to workbook.  The CFI currently uses the kit to introduce design thinking to providers, and to allow resident designers to gather new kinds of patient data.  Mayo medical students also use the kit to comprehend the larger context of patient care.  Finally, the Center for the Humanities in Medicine uses the kit to engage patients in therapeutic visual storytelling and to create a library of patient stories to benefit future members of the clinic.

PatientNarrativesKitPhoto

The Mayo Clinic Center for Innovation is something far bigger than any single designer, provider, or illustrator.  It’s a tangled web of active thinkers who ask questions that may not have answers. When I graduate in the spring, I’ll be looking for the biggest, nastiest problems I can find.  Because I’ve learned that design isn’t just part of the solution.  Design changes how we see the problem.

17
Aug

Minnesota Nice meets Massachusetts Mean by Samantha Dempsey

When I first secured an internship with the Mayo Clinic Center for Innovation, I had no idea what it would actually mean to spend a summer in Rochester, Minnesota.  I’d spent my life rooted firmly on the East coast, so naturally I turned to wikipedia to learn about my new home. I discovered that the city of Rochester has a population of 106,769, is one of only four counties in the entire “Land of 10,000 Lakes” without a natural lake, and is home to the renowned Ear of Corn Water Tower .

The next step in my Minnesota education was watching Fargo, a Coen brothers movie filmed in a small Minnesota town much like Rochester.  That might not have been the best film choice, since after watching it, I was fairly certain that I was going to meet an unfortunate end in a wood chipper like one of the main characters.  With this research in my pocket, I boarded a flight to Rochester to begin my Minnesota adventure. I took my first steps on Minnesota soil after disembarking from the smallest plane I’d ever flown on and walking through the smallest airport I’d ever seen– and stepping directly out into a cornfield.  Welcome to Rochester, Minnesota.

The inkling of thought that first struck me in that cornfield later grew into one of my biggest realizations about my new home.  Although Rochester is technically a city, its inhabitants strongly adhere to a small town mentality.  The first indication of this is the three coffee shops within walking distance of downtown Rochester.  One is a Starbucks that closes at 6 on weekdays and 3 on Sundays.  One is hidden somewhere within the Marriot hotel.  And the third is a chain called Caribou Coffee where I spend the better part of my Sundays.  The nightlife in our fair city closes down and locks up at midnight sharp, and while public transportation exists, I have never actually heard of anyone using it.

The best part of Rochester is the people who choose to live here.  They’ve taught me that there really is such a thing as “Minnesota Nice” and that, likewise, there’s also something I’ve dubbed “Massachusetts Mean”.

One of the hardest things for me to grasp was that Minnesotans really want to share and give things away.  Whether that means giving compliments to strangers (I’ve been stopped three times on the street and told, “You look gorgeous this morning”), or giving food to friends, they always want to leave you with more than you came with.  One of my coworkers hosted a party at her house, and on my way out the door, despite my protests she loaded my arms with leftover strawberries, Cool Whip, pizza, two unopened beers and peaches from her pantry that weren’t even being served at the party.  I experienced similar generosity from a friend’s yoga instructor.  A few minutes after meeting the yogis, I told him how much I admired the meditation beads he’d crafted.  He immediately removed them from his wrist and offered them to me.  I told him I didn’t want to take his beautiful beads to which he responded, “You’re not taking them, I’m giving them to you.”  After that answer, I felt as if I’d been thoughtlessly rude and accepted the beads without further dissent.

You must understand that I’m a born-and-bred New Englander to the core.  When people offer me things, I assume they’re just doing it to be polite.  The worst thing a New Englander can do is be a burden to a friend, and so back home in Massachusetts, it is much better to decline something honestly offered than to accept something offered out of politeness but that will be sorely missed.  Here, however, people really genuinely just want to share and go out of their way to be nice.  At the farmers’ market in Rochester, I once asked a vendor if she sold spearmint seedlings.  She said, no, but there were plenty in her home garden and I should stop by and dig up a few.  She promptly wrote down her address, and when I asked how much she’d like in exchange for the plants she told me not to worry about it and that the plants were getting overgrown anyways.

I’ve learned a few tangible things from the people of Rochester as well.

  • Really good cheese curds squeak between your teeth when you bite down.
  • At least three kinds of “egg bake” should be served at any respectable brunch.
  • A “hot dish” doesn’t simply refer to a warm entree, but rather a particular kind of casserole involving multiple layers of potato, ground beef, and cream of mushroom soup.
  • Belly-dancing cowgirls shaking their bells to the tune of Cotton Eye Joe are a legitimate form of entertainment.

The last Minnesotan experience I’ll mention will be the large-scale events I’ve taken part in.  Hundreds of Minneapolites pelted me with pounds of overripe tomatoes at the Midwest Tomato Fest, a huge, street-wide food fight in the Mill City.  At “Nordic Fest”, I came to appreciate the Swedish heritage of my Midwestern brethren surrounded by more blond and blue-eyed people then I’d ever seen in one place.  I discovered that “Pizza farms” are not, in fact, places where magical pizza trees grow, but instead are weekly events were Minnesotans drive deep into the corn to dine on pizzas made from ingredients grown on same farmland where they spread their picnic blankets.  And finally, one of my biggest life regrets will be that I was unable to attend the Midwestern Lumberjack Championships that occurred during my first week here.

I knew I’d learn a lot from my professional mentors at the Mayo Clinic Center for Innovation, but I didn’t realize that the entire state of Minnesota would make sure I left with more than I came with.

7
Aug

So just what does an illustrator do at the Mayo Clinic?-Samantha Dempsey, Mayo Clinic

In the seven weeks since I started my Maharam STEAM Fellowship at the Mayo Clinic Center for Innovation, I’ve been asked that question by a lot of people. The good news is, I am finding new answers to that question every day. I am a little more than half way done with my time here, and already I’ve shadowed midwives and doctors, acted as a graphic facilitator for patients, taught med students about the importance of visual communication, and made comics illustrating brand new methods of care. That’s not even mentioning the things I’ve done outside the walls of Mayo where I’ve single-handedly eaten my first batch of fried cheese curds, admired tons of massive farm equipment proudly parading down main street, and been pelted by pounds of overripe tomatoes the at Midwest Tomato Fest. Given the nature of my outside-of-work activities, it’s impressive that my work within the clinic has been the most exciting part of these seven weeks.

I began my fellowship with a more traditional illustration job. Working with the Practice Redesign team, I completed a series of images that were embedded in customized education videos intended to communicate surgical procedures to patients. These videos are part of a larger experiment that aims to rethink the outpatient experience, reduce healthcare costs by 30%, and simultaneously improve patient satisfaction. While the idea of an illustrator doing medical illustration is not surprising, I was surprised by the way my team immediately treated me as a professional illustrator. I wasn’t told what to draw and then simply sent off to a dark corner to crank it out. Instead, I read through video scripts, decided myself where and if a visual was needed, defined what that visual should be, and then created it. I’d never felt so valued in a professional setting as an illustrator. You can see a screenshot from my project here.

In my third week at CFI, I joined a new team and began working with rural care delivery at the Mayo Family Clinic Kasson alongside CFI’s Community Health Transformation team. There, away from the main clinic’s tall buildings and armed with nothing but a pad of paper and box of markers, I shadowed primary care providers and developed a method of real-time conversation capture. As doctors and patients conversed, I sat with them in the exam room and charted the flow of conversation using a series of images, words, and symbols to record their interaction. These quick and dirty conversation maps or “graphic facilitations” allowed the patients to understand how recommendations came about and where decisions came from. You can see an example of one of these recorded conversations here.

With that same team, I also worked to develop a series of wordless narrative comics. These comics illustrated real patient stories that exemplified the experimental Care Team approach being developed by the Community Health Transformation team. The Care Team approach pushes each medical provider to operate at their highest level of function, to work together to treat patients as a team, to increase their awareness of the social determinants of health, and through these to develop a holistic view of each patient.  My team used my comics to communicate the new Care Team approach to audiences both in and out of the Mayo Clinic institution. The comics were also used to instill the importance of such new medical values within Mayo 1styear medical students’ work in conjunction with the Community Health transformation team. You can see one of my comics below.

My next step at Mayo led me to the Center For Individualized Medicine. This center does not yet physically exist, but a talented group of designers and providers is hard at work imagining how such a center dedicated to patient exome sequencing will function. The process is incredibly complex, and the team asked me to find a way to visually express the nitty-gritty details of their many new concepts as well as the way that those all come together to form the big picture of the patient experience. After many hours spent trying on the shoes of the doctor, genetic counselor, and bioethicist, finally I understood the process well enough to visualize it. I then created an animation that functions as a metaphor, giving my team the freedom to verbally explain the many details of each concept, while the animation visually presents how each part fits into the larger whole. You can see a clip from my animation here.

Next week, I’ll begin the final and most exciting phase of my time at CFI! Acting as the lone illustrator cutting her path through the untamed grounds of Mayo, I will start my own research/design project here to explore the role of empathy, narrative, and illustration in the clinic. It’s kind of a secret, but I’ll let you know that the entire project revolves around “unpacking” patient stories and finding visual ways to prompt realizations. So stay tuned!

4
Jul

Getting Shocked and Situated at Mayo-Samantha Dempsey, Mayo Clinic

July 3, 2012

Samantha Dempsey

I never thought that a place like the Mayo Clinic Center for Innovation could exist in the real world. Though everyone talks about how great cross-disciplinary collaboration is, in reality, the difficulties of getting two completely different sets of people to speak the same jargon, much less fruitfully collaborate often keeps such visions from being realized. At the CFI, however, radical collaborations are an everyday achievement. Monday through Friday, a team of graphic, industrial, and service designers come together with doctors, nurses, and healthcare providers to ask difficult questions and to bring a new vision of the future to life. And now, thanks to the Maharam STEAM fellowship, one new illustrator has joined their ranks.

These first three weeks have been unreal. My journey began with shock when I realized the vastness of the cornfields surrounding Rochester like an occupying army. Since then, I’ve learned that there are stranger things in this city than the vast quantities of agricultural produce. There are things like cheese curds and the propensity of the natives to call soda “pop”. Oh ya. However strange these things are to a born and bred New Englander, by far the most interesting thing I’ve found in Rochester is my work at CFI.

My second instance of shock came when I discussed my position as a Maharam STEAM fellow with Lorna Ross, the design manager at CFI. CFI regularly hosts co-ops, and this summer I found myself working with four other talented young designers. Each co-op works on a specific platform, and follows that single project for the duration of her time here. I assumed that my position as a fellow would be much the same. You can imagine my surprise when Lorna sat me down and explained that there are no limitations on the projects I can complete or conceive of as a fellow. She explained that because I came here with my own funding, I am free to explore any area of design that I’m interested in, will be able to conduct my own research, and can create whatever I deem appropriate to explain my experience. I can produce anything from an installation to an exhibit to a concrete product. My job is to figure out just what an illustrator can do here. I’m “an experiment”, the CFI’s “artist in residence”, and the first illustrator to be part of this incredible team.

My third shock came when I met the design team for the first time. All the designers sat around a single table, discussed the projects they’d been working on, and offered each other insights. Lorna asked the team for ideas and ways they’d like to see my skills implemented at CFI as a free-floating illustrator. I recorded the answers in my sketchbook, which you can see below, and their suggestions were as varied and as exciting as any projects I could have dreamed up for myself. In the end, two themes emerged that were important for me as an illustrator to explore: storytelling and the importance of empathetic (as opposed to just data-based) information.

Being a part of CFI feels almost unreal in the freedom and perfect niche I’ve found here. The entire clinic is open for me to observe, experiment with, and figure out just what I can do here as an artist, a designer, and a storyteller. I’ve never been so inspired by a team, and it’s still hard to believe that I’m lucky enough to be a valued member and a part of that. I don’t fetch coffee here. I’m using the intersection of art, design, and medicine to help people, and in the process I’m carving out a new place for at least one illustrator in this world.

23
Apr

The Past Fellows

The 2016 Maharam STEAM Fellows
NataliaBlanco.Photo
Natalia Blanco | Fundación Amistad
BFA 2016 | Sculpture
Born and raised in Miami, Florida, Natalia is concluding the final year of her BFA in Sculpture. She will be collaborating with her long time friend and colleague, Nicholas Fernandez, to aid Fundación Amistad and the World Monuments Fund in their efforts to better communicate and develop sustainable and financially feasible approaches to the preservation and revitalization of two endangered historical sites, El Vedado and the National Art School. Her photo documentation and research will serve to advocate for communities within Havana that lack adequate funding and resources to preserve these sites. She will gain experience collaborating with urban planners, conservators, economists, activists, entrepreneurs, and locals working to shape Cuba’s future while preserving its history and voice. Together, Natalia and Nicholas will also be working on a publication that archives the ingenuity and  resourcefulness of the Cuban people through bricolage objects and their unusual beauty. Natalia believes that artists play a vital role in the observation, dissemination, and creation of culture and their perspectives remain integral to missions like that of Fundación Amistad and the World Monuments Fund.
CallieClayton.Photo
Callie Clayton | GenSpace
BFA 2017 | Textiles
As an artist and designer, Callie thrives on listening, observing and seeking understanding. She strongly believes in interdisciplinary collaboration as a pathway for sustainable innovation and educational opportunities. Based on her belief in the integral relationship between art and design and science, this summer Callie will collaborate with Genspace, a community biolab in Brooklyn, New York, to investigate the importance of public access to biotechnology education and consequent changes in biotechnology regulatory policy. Through research and involvement in Genspace’s biotech classes and community, she will explore how public access to science education empowers individuals to pursue scientific innovation, how governance structures deal with fast-paced technologies and information access interactions between the government, media and citizens. Callie hopes to initiate more conversations about the societal and ethical implications and human-centered design opportunities biotechnology offers. Currently, Callie is on the planning committee for the annual A Better World by Design conference and is a project leader for the Brown and RISD BioSTEAM organization. She is an avid environmentalist with a love for carrots and spontaneity.
ChrisCohoon.Photo
Chris Cohoon | Cadence International/US Marine Corps Installations Pacific Command
MA 2016 | Art Education 
While developing a project for a social enterprise in Nepal, Chris discovered the power of Fine Art and Design skills as problem solving and community building tools. Chrisʼ time at RISD allowed him to research Design Thinking for creative community development. As a RISD Maharam Fellow, Chris will be building an Empathic Design-centered leadership program for US Marines and high school students stationed in Okinawa, Japan. Participants will learn creative processes emphasizing empathy, collaboration, conflict resolution, and problem solving through researching, designing, and manufacturing stand up paddle boards. The curriculum developed during this program will be available as a leadership tool and adapted for use by organizations working with underserved communities around the world.
LucilleCrelli.Photo
Lucille Crelli | Dorcas International Institute of Rhode Island
BFA 2017 | Apparel Design
As a proud feminist artist, Lucille is studying Apparel Design with a concentration in Gender, Sexuality, and Race to explore how art and design can be used to address social justice issues. She is taking advantage of her time at RISD to influence campus change alongside her peers as president of the RISD Global Initiative and co-founder of RISD SHARE (Sexual Health and Relationship Educators). The skills she has learned through her campus activism led to the Maharam Fellowship with Dorcas International Institute of Rhode Island, a Providence-based organization that works with refugees and immigrants to aid the transition into a new home. Through the use of art “empowerment” sessions, this project will allow DIIRI to address the emotional needs of their clients and introduce arts programming as part of their wide array of services. Lucille will also take advantage of these sessions to conduct research on the role social entrepreneurship and community partnerships can play in successful resettlement, and will use this research to complement DIIRI’s services and inform her Apparel Thesis Collection.

EvanDaniel.Photo

Evan Daniel | Dynamic Robotics Lab, Oregon State University
MFA 2017 | Digital Media
Originally a painter, Evan Daniel has incorporated robotics and programming as an integral part of his artistic practice over the past several years.  A driving force for this research has been complex tensions inherent in robotics such as interaction, authorship, and knowledge.  It was with this in mind that Evan contacted the Dynamic Robotics Laboratory (DRL) at Oregon State University.  The DRL is a site of cutting edge robotics development — a place where dilemmas arising from new technologies can be analyzed before they become part of our daily lives.  Evan’s work will address the ethical, social, and political dilemmas arising from the research at this site.  His approach will address both public policy (think of the complex issues brought about by self-driving vehicles) as well as the nature of the laboratory’s research.
JosephineDevanbu.Photo
Josephine Devanbu | The California Institute for Water Resources
BFA 2016 | Painting + Science And Society (RISD/Brown)
Josephine will work with California farmers impacted by drought to create maps, drawings and writings that explore their experience of groundwater use. Between trips to farms scattered across the state, Josephine will return to the Oakland headquarters of the California Institute for Water Resources where she will assemble multimedia features about each farmer. The Institute will publish these visual stories of identity and adaptation on their news blog The Confluence. She hopes that adding images from farmers’ perspectives to existing maps and models will contribute to a greater understanding of the social dimension of groundwater use. Josephine grew up in the Central Valley, surrounded by some of the nation’s most productive farmland. She looks forward to reporting on how farmers conceive of the underground aquifers that kept her aboveground childhood green.
NicholasFernandez.Photo
Nicholas Fernandez | Fundación Amistad
BFA 2016 | Sculpture
Nicholas Fernandez is a first generation Cuban American completing his BFA in Sculpture. He will be collaborating with colleague and companion, Natalia Blanco, to contribute to the preservation and documentation of Cuban culture during this time of significant political and social change. Through this fellowship, he will be a part of Fundación Amistad and the World Monuments Fund’s mission to raise international awareness of two endangered historical sites, El Vedado and the National Art School. The long-term goal is to develop technical and financial aid for their preservation. Along with his partner, he will be responsible for gathering research and case studies relevant to each urban project, photo and video documentation of the sites, as well as event planning and programming for the Watch Day in Havana. He hopes to understand how a non-governmental organization develops hands-on strategies for tackling issues pertinent to international relations. Together, Natalia and Nicholas will also be working on a publication that documents local bricolage objects and reflects the ingenuity and resourcefulness of the Cuban people.
QiGuo.Photo
Qi Guo | St. John’s Vocational Training Centre
BFA 2017 | Architecture
As a senior architecture student at RISD, Qi is well aware of the great potential and responsibility of the profession he chooses. He believes an architect should also be an active social participator in order to maximize his/her value and contribution to the society. Inspired by the previous winter travelling experience in Batticaloa, Sri Lanka with Professor Lili Hermann, Qi, this summer, will go back to the district and cooperate with students and teachers from St John’s Vocational Training Centre (SJVTC). Together, they will explore the possibilities of the future housing in local community. Their exploration will include the experiments with unconventional building materials and techniques as well as the discussion and imagination of the ideal future living space. Qi holds the strong belief of the significant role of design education plays in retrieving the underprivileged regions in the world. Through the interaction with students, he wants to sparkle the student’s creativity and bring the design thinking he developed at RISD to SJVTC.
BoWonKeum.Photo
Bo-Won Keum | Books to Prisoners
MFA 2017 | Graphic Design
Bo-Won Keum is a storyteller currently pursuing her MFA in Graphic Design. This summer, she will partner with Books to Prisoners in Seattle, WA, a non-profit that receives and responds to letters from prison inmates across the US who ask for books. There, she will help develop a global archiving strategy for keeping records, restriction lists, and reading materials in order, traveling to various other prison book donation programs in the US in the process. She will also design a resource guide designed to be distributed inside the prison system, along with a personal document that holds interviews that she will conduct with volunteers and designers that considers the politics of what it means to give a book to someone.

YukoOkabe.Photo

Yuko Okabe | Boston Children’s Hospital
BFA 2017 | Illustration
Born and bred in Nutley, New Jersey, Yuko Okabe has always possessed a great connection to narrative and how she can create emotive work that reaches out to people. This Summer, she will collaborate with Boston Children’s Hospital and its Psychiatry Department’s start-up, Neuro’motion, to research and interact with staff to help create mobile therapy games for children struggling with mental health illnesses and disabilities. She has proposed this project as a response to both the growing attention needed for better mental healthcare as well as her personal connections and history. As an illustrator, she wants to learn how these analyzations can help create suitable storytelling and relatable characters that will stimulate patient motivation and development of coping skills. By interacting with health scholars and children at in-patient and out-patient facilities, this project will help her better understand the sensitivities surrounding mental health. Yuko has always loved working with children: she has volunteered as a TA and instructor for local Providence schools and organizations. On a final note, she likes hedgehogs, curry, and collecting postcards.
The 2015 Maharam STEAM Fellows
Kate Aitchison | United States Geologic Survey / Grand Canyon Monitoring and Research Center
MFA 2016 | Printmaking 
Growing up on the Colorado Plateau and working as a river guide, artist, and environmental educator for the past seven years, Kate Aitchison has used her variety of experiences to make connections between her art and her environment.  For Aitchison, it is a desire to further the conservation dialogue and engage communities in protecting the environment that inspires her to explore how environmental science can inspire her work. This summer, Aitchison will work with the United States Geologic Survey in Flagstaff, AZ to develop imagery describing the ecological systems along the Colorado River corridor for scientific and creative work. She will also work in conjunction with USGS and partner organization Grand Canyon Youth, to reintroduce art into developed science programs for youth river trips on the San Juan and Colorado Rivers.
Lyza Baum | Class Act
BFA 2016 | Textiles
As an emerging artist, Lyza believes that textile design can empower communities, create solutions for environmental concerns, and drive economic development. This summer, Lyza is partnering with fellow Textile Design major Emilie Jehng, to investigate whether or not natural dye processes can be both environmentally sustainable and economically viable. They will be traveling to Bohol, Philippines to collaborate with Class Act and Tubigon Multipurpose Weaving Cooperative to identify indigenous dye plants and incorporate natural dye processes into the weaver’s textiles. She hopes that this initiative will inspire communities to reevaluate and commune with their natural land resources in a respectful and resourceful way. In 2014 Lyza joined DESINE-Lab and helped compile research for a sustainable textile initiative for war widows from the civil war stricken region of Sri Lanka. She is also co-founder of Floating Garden, a public textile installation fostering community engagement and highlight the importance of green space in Central Falls, a city recovering from bankruptcy. Lyza was born and raised in Rhode Island. She has a deep love and respect for nature, cozy sweaters, and fortune cookies.
Joseph Fellows | Great Sand Dunes National Park
BFA 2016 | Sculpture 
Raised in Wisconsin, Joseph Fellows is concluding his Junior year of his Sculpture BFA. During the past two summers he has spent August driving through the continental U.S. taking photographs and experiencing the American Landscape. Twice he found himself in Southern Colorado in the San Luis Valley taking pictures in the Great Sand Dunes National Park and Preserve. Since then he has searched for a means to contribute to the monumental task of preserving the natural spaces that we have left. In the summer of 2015 Joseph will be returning to the Dunes to demonstrate the capabilities 3D scanning has to offer the National Parks, as well as other natural spaces, in order to help record and preserve the fragile resources within their boundaries. He will be working to create a scanned archive of both natural and cultural objects both digitally and physically through 3D printing. These archives will enable him to investigate how this technology can be a tool for both artists and naturalists to reconsider how the natural world can find it’s way into places like studios and classrooms.
Harini Gona | SaveLife Foundation
BFA 2016 | Furniture
Harini is interested in using design towards socio economic change. Through this fellowship, she will be promoting public transportation as a strong direction towards decreasing traffic accidents, as an increased level of safety in a society, further profits an economy. In her home country, India, she will be researching the current safety measures established in the transportation sector in India, to evaluate the cause of  an increasing number of transit based accidents. She will be working with SaveLife Foundation; a non-governmental organisation based in Delhi, that is a strong force working towards road safety both by training the police force and volunteers in post-accident response and helping draft laws to be presented in the parliament towards the same cause. This will help her develop a strong foundation and knowledge of the intricacies involved in influencing public policy in a country with diverse interests- and a strong participatory democracy, which she will use in the future to create an increased awareness of the importance of design in the transportation industry.
Emilie Jehng | Class Act
BFA 2016 | Textiles
This summer Emilie Jehng, in partnership with fellow Textiles major and friend, Lyza Baum, will be researching the economic and environmental feasibility of the natural dye process in Bohol, Philippines. Working with Class Act, Emilie and Lyza will explore dye plants indigenous to the island, and collaborate with the Tubigon Loomweavers Multi-Purpose Cooperative to develop avenues for naturally dyed fibers within the Co-Op’s woven fabrics.  She hopes that their project sparks initiative for the community to commune with available land resources, and further promotes the revitalization of local cottage industries in Bohol.  Emilie firmly believes in the ability of textiles to empower communities, create sustainable solutions spearheading environmental concerns, and to stimulate economic development. Originally from San Jose, California, Emilie Jehng is fond of indigo vats, seventy-degree weather, and popcorn.
Drew Ludwig | Telluride Arts District
MFA 2015 | Photography
Drew Ludwig is a regionalist, artist, activist, and mountain guide.  He has worked as a Creative Consultant for Patagonia, a Videography/Photography Assistant at National Geographic, and as a muralist specializing in large scale, ecologically-minded installations.  After completing his MFA in Photography at the Rhode Island School of Design, Drew will return to his hometown of Telluride, Colorado, to address a local housing crisis through the development of a quarterly newspaper, The Dumbsaint.  Utilizing art and design as methods of creative problem solving, the paper will provide Telluride with an alternative media voice, introducing political concerns through an absurdist visual sensibility while examining creative place-making and community ethos.  The Dumbsaint will engage Telluride locals in a generative public discourse with an aim to examine and improve the housing and cultural needs of the community.

Emily Winter | Envision Unlimited MFA 2015 | Textiles Emily will spend the summer in Chicago working with Envision Unlimited, a social services agency that serves adults with developmental disabilities. She will focus on the revitalization of a small, currently defunct, weaving mill owned by Envision. She will work with Envision’s clients to create a textile skill building curriculum which focuses on developing the skills needed to pursue individual creative projects and to earn income working for the weaving workshop. She will also scale up her weaving knowledge and learn how to run the industrial weaving equipment. The long-term goal is to develop a unique workshop model which fosters collaboration between artists, designers, and craftsmen regardless of markers of ability and disability. The Maharam STEAM Fellowship is supporting the first chapter of what will be an ongoing project centered on advocacy, community integration, and innovative incorporation of art and design into the social services.

The 2014 Maharam STEAM Fellows
Boynton_Headshot
Adria Boynton | Massachusetts Port Authority
BArch 2015 | Architecture 
Adria is interested in the human aspects of architecture: how design can improve the spaces and structures that we interact with each day.  This summer Adria will be working in Boston, in Massport’s Department of Capital Programs & Environmental Affairs, studying the role of design in resilience.  Resilience is an emerging field.  Its development indicates a transition between a defensive approach to emergency management and an offensive approach.  These two strategies mark the difference between waiting for a disaster to strike and recovering afterward, versus preparing for a disaster preemptively.  As a Maharam Fellow, Adria will study Massport’s infrastructure and potential vulnerabilities, compile a taxonomy of design approaches to resilience, and draft design guidelines based on her findings.  By developing resilience recommendations for future disaster scenarios, Adria hopes to encourage a creative role within this critical field.
Patricia “Patchi” Dranoff | Porvir
BFA 2015 | Industrial Design 
Patchi loves talking, listening and connecting. She feels that design can be used as a means of action and communication. This past January, Patchi worked with RISD’s DESINE-Lab to bring opportunities to Sri Lanka’s war torn north. She was also on the planning committee for the annual A Better World by Design conference and continues to be involved in collaboration efforts between Brown and RISD. She feels strongly that successful design is about synthesizing many aspects of one’s environment and applying a variety of disciplines toward problem-solving.  This summer, she will be joining Porvir in Sao Paulo, where she is originally from, to compile a resource for education media accessible to all. The objective of her project is to create a document that wills serve as a guiding resource for Brazilians interested in education policy and news from around the world. With the upcoming Brazilian presidential elections, Porvir is working to provide the best coverage of each candidate’s education platforms. Patchi is thrilled to work in this dynamic environment, and will keep you posted with regular updates!
Gabriela Epstein | Three Mile Island Alert
BFA 2016 | Illustration 
Gabriela is passionate about environmental issues and how art can be used to influence social change and spark progressive legislation. This summer she will be conducting research with Three Mile Island Alert, a Harrisburg-based non-profit organization, to commemorate the 35th Anniversary of the Three Mile Island nuclear accident. The research will include interviewing members of the community affected by the accident and visiting several nuclear facilities including TMI, Susquehanna & Peach Bottom station. The research will be used to create a graphic interpretation of these people’s stories to be released as a web-comic series, and later published for distribution by TMIA, in an effort to spread awareness of nuclear power to younger generations. As a Harrisburg native who grew up in the shadow of TMI’s cooling towers, Gabriela hopes to provide her generation with a humanistic window to the accident and nuclear energy, which will hopefully sow the seeds of empathy and prudence in the nation’s future energy policy-makers.
Blake Hiltunen | Maine State Beekeepers’ Association
MFA 2014 | Sculpture
Originally from New Hampshire, Blake is currently concluding his MFA degree in Sculpture. After graduating from the Massachusetts College of Art and Design in 2008, Hiltunen worked for artist Marguerite Kahrl in the north of Italy before returning to New England where he operated the custom powder coating shop Colortec in Portland, ME. It was here he was introduced to Master Bee Keeper Erin MacGregor-Forbes. This summer Blake will be working with Ms. MacGregor-Forbes on the design, construction and presentation of a mobile observation honeybee hive. The hive’s intent is not only to support and display a living colony of bees but also to draw public attention to the relationship honeybee health has to biodiversity and sustainable food sources. Accompanying the hive will be a series of prints distributed to the public with images and information about simple, inexpensive ways to support the honeybee.
Hannah Koenig | The Collaboratory
BFA 2014 | Printmaking and International Relations (RISD/Brown)
Hannah Koenig is motivated by a desire for positive social impact and a curiosity about systems and processes of communication. Beginning this summer, Hannah will continue her career in public service as the Designer in Residence at the Collaboratory, a new public diplomacy initiative in the State Department’s Bureau of Educational and Cultural Affairs. The Collaboratory seeks to integrate virtual technologies into ECA’s cultural exchange programs, develop new pilot programs, and connect the State Department with technology companies and public intellectuals. In addition to advocating for design thinking in government, Hannah is passionate about athletic endeavors, high-top sneakers, and printed ephemera, especially banknotes.
Whitney Oldenburg | Mayo Clinic-Jacksonville
MFA 2015 | Painting
Whitney Oldenburg is interested in how the fine arts are applicable to scientific and medical fields. With the launch of the Affordable Care Act, and the recent focus on individual health care, she sees this as pivotal time to focus on what health care really means. This summer she will conduct a research project in the Pain Rehabilitation Center at Mayo Clinic Jacksonville to see if critical art making can produce biological improvements in patients suffering from chronic pain. Through this research, Whitney not only hopes to substantiate the impact critical art making has on medical fields, but she hopes that her pilot study will help enrich the dialogue surrounding health insurance, patient satisfaction, and hospital budgeting. Whitney also feels that it is important for artists to look not just to other artists and art history, but have a more encompassing approach to art making. Whitney’s upcoming project in Mayo Clinic Jacksonville is a testament to that. 
Zoya Puri | Adhyayan  MLA 2014 |Landscape Architecture Originally from India, Zoya Puri is synthesizing her backgrounds in Architecture and Landscape Architecture by studying the impact of spatial design on social interactions. This summer Zoya is working with Adhyayan, a community-driven NGO on issues of social inclusion and empowerment of marginalized communities of the urban villages of New Delhi. She is using her graduate thesis to test the impacts of the design of public space on the type and quality of human interactions, and by implication, the efficacy of the designer as an agent of change. It is this work that she will try to further this summer – identifying design strategies that allow negotiation of urban conditions that are unfamiliar or perceived as threatening, as well as those that foster community, collaboration and respect. Her interest in socially conscientious design has also inspired her work with RISD DESINE-Lab’s initiative in Sri Lanka on the physical rebuilding and livelihood development efforts within war-impacted communities, as well as her personal work on animal rights issues in India.
Mariya Sitnova | National Museum of American History
MID 2015 | Industrial Design 
An amateur Lego enthusiast and avid people-watcher, Mariya is interested in all things 3D. She came to RISD after receiving her Bachelor’s degree in Bioengineering to expand on her technical foundations with human-centered product design. Her work at RISD investigates 3D printing applications both through experimenting with its technical capabilities and exploring its societal implications. This summer, Mariya will be working with educators at the National Museum of American History and the Smithsonian X 3D (SIx3D) initiative. Her role will focus on designing learning modules for K-12 students to interactively engage with digital versions of historical artifacts by bringing them into the physical realm through technologies like 3D printing.
Allison Wong | NuLawLab
BFA 2015 | Industrial Design and Urban Studies (RISD/Brown) 
As a Brown/RISD Dual Degree student, Allison believes in the potential for interdisciplinary collaborations to create meaningful and sustainable impact.  This summer, she will be bringing her passion for community-driven design and persuasive storytelling to the emerging field of legal design, exploring how user-centered design strategies can improve the delivery of legal services and increase access to justice.  She will be working with the NuLawLab – Northeastern University School of Law’s innovation laboratory – to investigate unmet legal needs in Rhode Island with a design approach.  This work will support the current efforts of the law firm DeLuca & Weizenbaum in cooperation with Roger Williams University School of Law to launch a public interest law center in the state.  When she’s not in class, Allison can be found running the RISD/Brown Design for America studio, thinking about models of university/community partnership at the TRI-Lab, and looking for pugs to play with.
The 2013 Maharam STEAM Fellows
Leah Erica Chung | Plan International BFA 2014 | Industrial Design Leah Chung is passionate about applying a user-centered design approach to the often top-down, Western-dominated field of international development. This summer she intends to focus on the severe communication gap between Africa and the West. More specifically, she will address “poverty porn” – the obsession with using high shock-value words and/or images when portraying women and children in developing countries. In partnership with senior advisors from Plan International and Ugandan social entrepreneurs, Leah will conduct primary bottom-up research in Uganda. Through this research, she hopes to substantiate the downside of typical Western media representations of Africa and contribute to better representing African thought in the West. When not thinking about ways to solve global issues through design, Leah likes to play soccer, read the paper or groove to Beyoncé and Motown tunes.
Bianca Diaz | Project NIA BFA 2013 | IllustrationBianca Diaz strives to connect with people in ways that are mutually empowering. She believes that if people are to be happy and independent, they need the support of strong communities. Using art and education as her tools, she strives to collaborate creatively with these communities. This summer Bianca is working with Project NIA in her hometown of Chicago, supporting the organization’s goal of getting communities involved in creating effective strategies to address violence and crime, and put an end to youth incarceration. Her goal is to write, illustrate and disseminate a children’s book that addresses the impact of incarceration on families. In recognizing that strong relationships make for more successful transitions from prison to home, she hopes that the book will become a valuable tool in building supportive relationships between incarcerated parents and their children.
Michael Jacobs | Lower Eastside Action Plan (LEAP) MArch 2014 | Architecture This summer Michael Jacobs is working with the Lower Eastside Action Plan (LEAP), a community-driven project to transform vacant Detroit properties into useful spaces that improve the quality of neighborhood life. Working with LEAP and residents of the city’s Lower Eastside, he will use green infrastructure and environmentally responsible design to create aesthetically appealing spaces. Born and raised in the Detroit area, Michael grew up surrounded by modest, working-class people who show great pride for their city. He studied architecture in and around Detroit before finding a second home in Seattle. During his four years on the West Coast, he worked at several architecture firms and refined his photography work. Michael has spent much of his free time outdoors on the lakes of Michigan and in the mountains of Washington, and always seizes any opportunity to explore new landscapes. He has backpacked through rugged landscapes in Montana, Colorado and Hawaii, and his art and design interests reflect his love and respect for nature.
Lizzie Kripke | Marine Biological Laboratory BFA 2014 | Painting/Neuroscience (RISD/Brown) Originally from the suburbs of Philadelphia, Lizzie Kripke is currently enrolled in the Brown/RISD Dual Degree Program. She is motivated by the desire to better understand, describe and respect nature, and is interested in new methods of science communication and education. As co-director of Synergy, an MIT-based program that promotes partnerships between fine artists and research scientists, she’s able to pursue her special interest in fostering a mutually beneficial relationship between artists and scientists. In the summer of 2012 Lizzie began working with Roger Hanlon at the Marine Biological Laboratory in Woods Hole, MA, where she helped develop digital, three-dimensional visualizations of the biological mechanisms underlying dynamic camouflage in cephalopods. This summer she’s continuing her work at MBL and is also working on a body of fine art based on this research. Before getting involved with the Marine Biological Lab, Lizzie assisted and led large-scale mural projects in Philadelphia. She enjoys endurance sports, yoga, healthy/sustainable cooking, music, friends and family.
Kelsey Lim | Rhode Island Board of Elections BFA 2014 | Graphic Design This summer Kelsey Lim is partnering with fellow Graphic Design major Keela Potter to build on the presidential election initiative they mounted last fall. Called RISD Votes, the initiative aimed at encouraging, educating and assisting RISD students through the voting process while also raising awareness and promoting political involvement within the community. This summer Kelsey and Keela are working with Rhode Island’s Board of Elections and Elections Division to research and pinpoint areas in which design can be used to improve how elections are run throughout the state. Originally from Andover, MA, Kelsey served as vice president of the Undergraduate Student Alliance and as a member of the student Design Guild. In addition to spending time with family and friends, she likes making lists, collecting nostalgic ephemera, drinking tea and eating highly caloric foods.
Nupur Mathur | Integrated Development Education Association (IDEA) MFA 2014 | Digital + Media Nupur Mathur is an Indian national currently pursuing her MFA in Digital + Media. Prior to coming to RISD she completed an undergraduate program in visual communication and digital video production at the Srishti School of Art, Design and Technology in Bangalore, India. She also worked in Delhi for four years – as a freelance visual communication artist who established her own design studio with three partners. This summer Nupur will work with fellow RISD MFA candidate Bathsheba Okwenje on a joint internship with the Integrated Development Education Association (IDEA), an NGO based in India. In the wake of the much-publicized December 16, 2012 gang rape and murder of a young woman on a public bus, they intend to create an online platform to stimulate dialogue about gender politics and sexual violence in India. The platform will present audio and visual interviews with a wide range of Indian citizens about how and why the tragedy happened and more generally about how social and cultural norms in India enable sexual violence. As a multimedia artist and thinker, Nupur creates work that centers around public space – be it virtual or physical – and wrestles with issues relating to what constitutes public space, privacy, ownership, belonging and identity. She is also inspired by and concerned with fundamental notions of time and space and how humans relate to these notions.
Ryan Murphy | World Economic Forum BFA 2015 | Industrial Design Originally from Philadelphia, Ryan Murphy came to RISD to pursue Industrial Design. He is passionate about the role of design on a global scale and is currently working on international development projects in India and Sri Lanka, government and industry research for the STEM to STEAM movement at RISD, visual process mapping on the effect of Islam on democracy and design in South and Southeast Asia and a commodity exchange platform and asset database for emerging economies at the MIT Media Lab.This summer Ryan is working at the World Economic Forum on its Rethinking Personal Data project. He will work directly with Bill Hoffman, who is leading the project for the WEF, and jointly collaborate with Intel Labs on mapping personal data worldwide. The focus of the project will be on protection and security, rights and responsibilities for using data, and strengthening accountability and enforcement – all areas where design thinking can play a huge role.
Bathsheba Okwenje | Integrated Development Education Association (IDEA) MFA 2014 | Digital + MediaPrior to coming RISD, Bathsheba Okwenje – a native of Uganda – spent 11 years with the United Nations in countries in Europe and Africa focusing on advocacy and communications efforts related to HIV and AIDS. This summer Bathsheba will work with fellow RISD MFA candidate Nupur Mathur on a joint internship with the Integrated Development Education Association (IDEA), an NGO based in India. In the wake of the much-publicized December 16, 2012 gang rape and murder of a young woman on a public bus, they intend to create an online platform to stimulate dialogue about gender politics and sexual violence in India. The platform will present audio and visual interviews with a wide range of Indian citizens about how and why the tragedy happened and more generally about how social and cultural norms in India enable sexual violence. Using a variety of media – including photography, video, audio, cartography and sewing – Bathsheba creates installations and other works that explore the interior lives of people and the interactions between them.
Keela Potter | Rhode Island Board of Elections BFA 2014 | Graphic DesignKeela Potter co-founded RISD Votes with fellow Graphic Design junior Kelsey Lim in response to the lack of political engagement and voting resources on campus. Keela and Kelsey recognized the need for an initiative that would provide students with the necessary tools to cast their ballots in the 2012 general election and would highlight the role of design in government. This summer they are teaming up again to work with the Rhode Island Board of Elections and the Secretary of State’s Elections Division to help analyze current voting systems and processes in order to propose design solutions that will improve the government’s efficiency and its communication with citizens. Keela was raised in Minneapolis, MN. When not busy in her studio, she can be found working for the RISD Museum’s Family + Youth programs or planning ambitious undertakings like the 2013 A Better World by Design conference.
Eliza Squibb | Grupo Interdisciplinario Amazonia BFA 2013 | TextilesAs a textiles artist and designer, Eliza Squibb is interested in the intersection of textile arts and cultural identity. During her summer internship with the Grupo Interdisciplinario Amazonía, she is documenting the textile production of the Shipibo-Conibo people, an indigenous Amazonian group in Cantagallo, Perú. This community uses traditional textile production as a tool for economic gain and cultural visibility. This spring Eliza designed a textile in collaboration with Providence-based immunologist Annie De Groot, head of EpiVax and the GAIA Vaccine Foundation. The goal of this project is to raise awareness of cervical cancer and encourage screening and vaccination at the Gaia clinic in Bamako, Mali. At RISD Eliza’s abiding interest in the intersection of art and science has led her to work as an artist in residence at the Marine Biological Laboratory in Woods Hole, MA and as a student researcher at RISD’s Nature Lab.
The 2012 Maharam STEAM Fellows
Ayodhya Ouditt | NPR Science
BFA 2013 Industrial Design
Ayodhya will focus on the creation of visual storytelling techniques, which can take complex topics in science and health and make them understandable, engaging and accessible to the public. Ayodhya is an artist, writer and designer, focusing on social entrepreneurship – using design principles to address complex social and environmental problems. Science and nature are his obsessions, and illustration and photography are his tools for storytelling.
Olivia Foss | National Defense University, STAR-TIDES
MID 2012 Industrial Design
Olivia’s project will focus on international and domestic development efforts, using strategic design thinking to effect sustainable, positive change in the way we make, produce and consume. STAR-TIDES (Sharing To Accelerate Research-Transformative Innovation for Development and Emergency Support) is a research effort that promotes sustainable support to stressed populations. Olivia earned an undergraduate degree in Liberal Arts (with a focus on New Media studies) from the Evergreen State College and is interested in how new forms of participatory engagement can help guide and inform the design process. Olivia was raised in Fargo, ND and issues relating to changing relationships between farmer, food and environment are of special interest to her. Her master’s thesis borrowed techniques from the disciplines of foresight, performance art and critical design to speculate about the future of trash, food and farming as it relates to the maintenance of soil health.
Giles Holt | City of Providence
MArch 2014 Architecture
As a Maharam Fellow, Giles is working with the city of Providence, RI to find effective methodologies to engage residents in creative problem solving. As a student Giles organized A Better World by Design, an annual three-day conference focused on the power of design to positively affect our built and social systems. While working at Sasaki Associates last summer Giles designed an open platform for city level policy makers to publish and receive feedback from residents as they work through policy decisions. Giles’ interest in the Maharam STEAM Fellowship stems from an unrealized level of constructive engagement with existing inquiry generated by RISD and Brown to affect policy decisions for Providence, RI.
Joseph Escobar | City of Providence
BFA 2013 Industrial Design
Joe and his team at RISD’s 2nd Life (an art supply and materials recycling source) meet with key leaders in the public and private sectors to determine creative ways that upcycling (the process of converting waste materials or useless products into new materials or products of better quality / higher environmental value) can be integrated into the community. The goals are to empower youth and reduce landfill waste. Born and raised in Southern California (a westcoaster at heart), Joe has a twin and is the youngest of five children. Every summer he reads the Calvin and Hobbes anthology, enjoys cooking and loves eating.
Samantha Dempsey | Mayo Clinic Center for Innovation
BFA 2013 Illustration
Samantha will use this unique opportunity with the world’s only imbedded design group to function within a live clinical setting to participate in a learning process where designers and doctors work together to create ideas and products that are neither art nor medicine. Samantha is a rising senior in illustration and the daughter of two engineers in Massachusetts. She studies healthcare at Brown University in addition to her studio courses at RISD and believes that the best ideas come through collaboration. Samantha is always on the lookout for the gray areas where art and science combine and once designed a card game based on early Victorian germ theory. Her favorite microorganisms are daphnia.
Andreas Nicholas | GlobeMed
BFA 2013 Film/Animation/Video
Andreas will collect and communicate the incredible stories that embody the change that the GlobeMed network promotes. GlobeMed is a network of university students that partners with grassroots organizations around the world to improve the health of people living in poverty. Through their involvement today, students commit to a life of leadership in global health and social justice. Andreas believes in the power of stories and that artists and designers are uniquely positioned to tell these stories in ways that are beautiful and accessible to wide audiences. As the son of two architects, design has been an intrinsic part of his life since birth. Through a small documentary that he produced with Paul Farmer on Partners in Health’s new hospital in Haiti, his involvement with GlobeMed, and his studies of and visits to Haiti, he has come to realize that health is not simply a medical issue but a human factor that allows people to live well. His goal is to use film and design to convey this idea by evaluating the root causes of issues through ethnographic filmmaking, including these stories as an integrated piece of the data that aid organizations use to evaluate where they place their funding and ultimately adding a humanistic layer to information that is so often simplified and pared down.
20
Jun

The 2012 Fellows

The 2012 Maharam STEAM Fellows interned with a wide range of organizations that readily recognize the tangible contributions art and design students make to the work they do. Read more about the inaugural group of fellows and the internship partners who welcomed them during the summer of 2012.
Ayodhya Ouditt | NPR Science
BFA 2013 Industrial Design
Ayodhya will focus on the creation of visual storytelling techniques, which can take complex topics in science and health and make them understandable, engaging and accessible to the public. Ayodhya is an artist, writer and designer, focusing on social entrepreneurship – using design principles to address complex social and environmental problems. Science and nature are his obsessions, and illustration and photography are his tools for storytelling.
Olivia Foss | National Defense University, STAR-TIDES
MID 2012 Industrial Design
Olivia’s project will focus on international and domestic development efforts, using strategic design thinking to effect sustainable, positive change in the way we make, produce and consume. STAR-TIDES (Sharing To Accelerate Research-Transformative Innovation for Development and Emergency Support) is a research effort that promotes sustainable support to stressed populations. Olivia earned an undergraduate degree in Liberal Arts (with a focus on New Media studies) from the Evergreen State College and is interested in how new forms of participatory engagement can help guide and inform the design process. Olivia was raised in Fargo, ND and issues relating to changing relationships between farmer, food and environment are of special interest to her. Her master’s thesis borrowed techniques from the disciplines of foresight, performance art and critical design to speculate about the future of trash, food and farming as it relates to the maintenance of soil health.
Giles Holt | City of Providence
MArch 2014 Architecture
As a Maharam Fellow, Giles is working with the city of Providence, RI to find effective methodologies to engage residents in creative problem solving. As a student Giles organized A Better World by Design, an annual three-day conference focused on the power of design to positively affect our built and social systems. While working at Sasaki Associates last summer Giles designed an open platform for city level policy makers to publish and receive feedback from residents as they work through policy decisions. Giles’ interest in the Maharam STEAM Fellowship stems from an unrealized level of constructive engagement with existing inquiry generated by RISD and Brown to affect policy decisions for Providence, RI.
Joseph Escobar | City of Providence
BFA 2013 Industrial Design
Joe and his team at RISD’s 2nd Life (an art supply and materials recycling source) meet with key leaders in the public and private sectors to determine creative ways that upcycling (the process of converting waste materials or useless products into new materials or products of better quality / higher environmental value) can be integrated into the community. The goals are to empower youth and reduce landfill waste. Born and raised in Southern California (a westcoaster at heart), Joe has a twin and is the youngest of five children. Every summer he reads the Calvin and Hobbes anthology, enjoys cooking and loves eating.
Samantha Dempsey | Mayo Clinic Center for Innovation
BFA 2013 Illustration
Samantha will use this unique opportunity with the world’s only imbedded design group to function within a live clinical setting to participate in a learning process where designers and doctors work together to create ideas and products that are neither art nor medicine. Samantha is a rising senior in illustration and the daughter of two engineers in Massachusetts. She studies healthcare at Brown University in addition to her studio courses at RISD and believes that the best ideas come through collaboration. Samantha is always on the lookout for the gray areas where art and science combine and once designed a card game based on early Victorian germ theory. Her favorite microorganisms are daphnia.
Andreas Nicholas | GlobeMed
BFA 2013 Film/Animation/Video
Andreas will collect and communicate the incredible stories that embody the change that the GlobeMed network promotes. GlobeMed is a network of university students that partners with grassroots organizations around the world to improve the health of people living in poverty. Through their involvement today, students commit to a life of leadership in global health and social justice. Andreas believes in the power of stories and that artists and designers are uniquely positioned to tell these stories in ways that are beautiful and accessible to wide audiences. As the son of two architects, design has been an intrinsic part of his life since birth. Through a small documentary that he produced with Paul Farmer on Partners in Health’s new hospital in Haiti, his involvement with GlobeMed, and his studies of and visits to Haiti, he has come to realize that health is not simply a medical issue but a human factor that allows people to live well. His goal is to use film and design to convey this idea by evaluating the root causes of issues through ethnographic filmmaking, including these stories as an integrated piece of the data that aid organizations use to evaluate where they place their funding and ultimately adding a humanistic layer to information that is so often simplified and pared down.